CRATOR, 2025
“CRATOR” is a charged, visceral meditation on the duality of code-switching in the 21st century. Through thick impasto layers of black, white, and grey, the canvas simulates a surface constantly in flux—scraped, layered, and buried—hinting at a vibrant, unseen painting beneath. That obscured underlayer becomes a poignant metaphor for cultural authenticity: vivid but veiled.
The textured gestures mimic the tension of adaptation, of constantly toggling between modes of speech, behaviour, or identity to fit into external frameworks. There’s a quiet violence to it—the way the surface suffocates what's underneath—yet the painting never fully erases the colour within.
"CRATOR" does not offer resolution. It sits in contradiction: the need to blend in and the yearning to be wholly seen. The title evokes both a volcanic scar and a celestial void—a space created by impact, by rupture. Code-switching, too, leaves marks: internal craters formed by constant calibration.
In this raw, almost geological surface, we are invited to look closely, to consider what is lost and what survives in the switch.
£800 - 48 x 37 cm
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Amateur, 2025
Amateur is a time stamp of both satisfaction and defeat. This acrylic work confronts the viewer with a turbulent surface of greys, muted golds, and faint pinks, a palette that speaks to frustration and delicacy intertwined. At its heart, Amateur is about the passion to try: the imperfect, electric urgency of pushing forward despite uncertainty.
The composition is dense and layered, yet fragile in its openness. Ghostly forms and sweeping gestures move through the haze, suggesting bodies, arcs, and subtle sexual motifs that shimmer just below recognition. There is an undercurrent of desire — not only erotic, but also creative — tangled in the dark, looping lines and smeared textures, evoking the charged sensation of surrendering to where one is being led.
Pink tones soften the edges, infusing the otherwise somber greys with a kind of vulnerable warmth, a reminder of the human impulse behind the work. The painting’s title — Amateur — feels less like self-effacement and more like defiance: a proud embrace of imperfection, of finding meaning in both the trying and the failing.
£1100 - 72.50 x 49.50 cm
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SNAIL, 2025
SNAIL, confronts us with the fragile absurdity of memory. Swirling blacks and muted pinks churn across the canvas, their violent strokes offset by moments of tenderness, as if each mark is both a wound and a caress. This painting speaks to the passing of time — not as a clean, but as a web of symbols, choices, fears, and fleeting joys that cling to us like ghosts.
At its core, the work seems to pose a plaintive question: Do you remember me? But who is asking — a friend, a foe, or a version of ourselves long forgotten? The forms that emerge — vaguely human, bestial, and snail-like — blur the boundaries of species, echoing the universal weight of memory’s traps. All are caught in its unilinear web, destined to carry its invisible burden.
The snail, almost comically slight, becomes a metaphor: is the mystery of memory profound, or simply basic? This piece walks that line, embracing both the horror and the whimsy that inhabit the everyday. It is a meditation on what we carry, willingly or not, and what, inevitably, carries us.
£500 - 72.50 x 49.50 cm
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DISCO, 2025
DISCO is a visceral, swirling exploration of a generation suspended in perpetual motion—trapped in the pulse and glitter of a space that once promised freedom but now demands worship. With frenetic brushwork and a palette that oscillates between heat and shadow, the piece evokes the textural chaos of the dance-floor—not as a moment of release, but as a ritual of compulsion.
The composition is dense, almost suffocating, with layers of gestural marks and distorted forms that suggest figures in flux, caught mid-gyration or thought. Abstracted bodies blur into one another, echoing the disorientating vitality of a place where mind and body dissolve into rhythm. There is both ecstasy and exhaustion here—a wild devotion to movement, to sensation, to forgetting.
"DISCO" does not romanticize its subject. It captures how a space once alive with rebellion has become a shrine of endless escape. In this painting, the disco is church, the beat is gospel, and the faithful keep dancing—even as they come undone.
£1000 - 59 x 42.50 cm
Available for purchase.
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